This is the second edition of Ghost Music, which was originally published by Orion/Hachette. Winner of a gold medal in the Global ebooks Awards.
"McVeigh defines an orchestra as ‘a combination of the unlikely and the insufferable, attempting the impossible.’ Sexy and satirical, the narrative captivatingly chronicles personal politics and the world of music, both ghostly and otherwise." - PUBLISHERS WEEKLY
GHOST MUSIC finds the fictional Orchestra of London and its brilliant (if errati...
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This is the second edition of Ghost Music, which was originally published by Orion/Hachette. Winner of a gold medal in the Global ebooks Awards.
"McVeigh defines an orchestra as ‘a combination of the unlikely and the insufferable, attempting the impossible.’ Sexy and satirical, the narrative captivatingly chronicles personal politics and the world of music, both ghostly and otherwise." - PUBLISHERS WEEKLY
GHOST MUSIC finds the fictional Orchestra of London and its brilliant (if erratic) conductor beset by difficulties. Zimetski, their fiery Polish conductor, drives musicians simultaneously to greater performances and personal desperation, while Pete, the orchestral manager, attempts damage control.
Then William Mellor buys an antique cello at auction only to discover that it has supernatural qualities. A mysterious young woman then joins the orchestra, captivates the conductor and attempts to captivate William. In the end, no force, whether earthly or otherwise, can keep William from confronting the cello’s true nature – as well as his own.
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